What Kind Of Voice Type Is This

How many kinds of voices are there?

This is an interesting question, and I suppose the answer at least partly depends on what you mean. In opera, there is a whole system that deals with “types” of voices. You can read more about it here: Fach - Wikipedia. This Fach system was created to help opera houses easily identify singers who could sing a role they were casting. If you go to that link about Fach, you will find no fewer than 31(!) different “types” of voices.In some ways, this system can be misleading. There is definitely crossover in repertoire that these different types of voices can sing. For instance, a tenor that the link above leaves out is the leggiero tenor: a tenor who specializes in the works of Rossini, Bellini, and lighter Mozart. This tenor can sing some of the same repertoire as a lyric tenor (such as Nemorino in Donizetti’s L’elisir d’amore). However, these categories exist because voices within a certain category tend to share characteristics: size, color, timbre, what the voice does well, what the voice doesn’t do well, etc.Outside of opera, there are all different types of singing though. Some of my favorite “types” of voices outside of opera can be found in these videos:Tuvan Throat Singing:This kind of singing has a technique that allows amazing overtones to be very clearly heard.Classical Indian Singing:I really like the kind of bright, strident colors paired with vocal agility.American Gospel:There is a certain quality that black gospel singers tend to have. Some call it “soulful,” but it is often marked by what’s called belting, freedom of tempo, wide vocal range, and its very expressive quality.Bulgarian Women’s Choral TraditionI do not know enough to know that this type of singing is native only to Bulgaria, but I find the harmonies very satisfying. Interestingly, listening to this now, I hear some similar elements that were in the classical Indian and Tuvan examples above!I hope you enjoy discovering all different kinds of singing!

What kind of voice do I have if my range goes from a D3 to an E4 in chest voice and hit a D5 in falsetto? I can reach an A2 and a G5 unsupported.

You have a voice that goes from A2 to G5 unsupported. I am not trying to be smart here, but you need to give more information, and I would prefer to hear you singing these notes rather than just attempting to answer a written question. Male or female, age, ease and openness of tone, all play a part in judging what kind of voice you may have. Baritones can sometimes get to top C, but they are not tenors, some mezzos can sing soprano range with regularity, but they are still mezzos. I can sing down to F without losing tone, but I am not a Basso Cantante. Where your falsetto reaches is of little help in judging your actual range, Ivan Rebroff could sing a soprano Bflat.From what you have written, your range is a good one, in the medium to upper reaches.

What voice type am I and how bad is this cover?

Well, lol97 wasn’t very helpful, was he/she?You’re probably a baritone, but this song doesn’t really test your top, and you didn’t sound especially compromised, so you could be a tenor—your timbre is light, so it makes me wonder where your best notes are.What you really need is some energy. Your voice is quite pleasant, but what causes your pitches to be imprecise at onset and cutoff is appoggio, the “breath prop” in your diaphragm that empowers and stabilizes your singing.Also, don’t be afraid to be a little “over the top” with your drama. You can always dial it back if it’s too much, but that’s not your current deficiency. Get some air down LOW in your body, then squeeze it out. The voice needs to stay limber and loose (no added tension), but the breath has got to be crazy active. This is what provides both power and, well, “interestingness.” That’s really what lol97 is probably after: your singing sounded disinterested. Actually, I thought you sounded a little nervous and timid. That, too, is something you have to leave in the practice room. Imagine someone taking you buy the shoulders from behind, sticking a knee in the small of your back, and yelling, “TAKE STAGE!”* (That is, assume that you have a right to be there singing, and sing like it.)*This was a description as explained to me of a voice teacher’s frustration with another singer who had a beautiful and talented voice, but lacked “presence.” This is not an actual pedagogical technique. Names have been omitted to protect the innocent.I’ve been lax about pointing this out, when I used to do it at the end of every singing question, but I’m going to mention it again here: get yourself a real, live voice teacher. Getting guidance of Quora is okay, but nothing replaces a person who can help you in real time.