What's the Difference between Socket AM2 vs 939?
see the link below
What is the difference between 7 and 5?
There is no difference, they are both numbers. The only thing standing between them is 6.
Whats the difference between a PGA socket and an Spga socket?
The PGA socket has all its pins lined up in even rows, as opposed to the SPGA socket, which has its rows staggered
What is the difference between -6 and 4?
Well, if you’ve got -6 of something but 4 of something else, you’ve got to rob Paul to pay Peter. The question looks silly.But let’s play it straight. The author, let’s say, doesn’t understand how negative numbers work. SO:Change the numbers into numbers of something, say, dollars. You owe 6 dollars to Peter, and Paul is paying you $4. So your personal value is $6 in debt and $4 in cash, and at present is worth $10 in value to you (debt plus cash at hand), but when you clear the accounts, you will be $2 in debt.2. Draw a number line _________________________ and put numbers on it (it seems the application won’t let me do it the simple way, so pretend there’s a line under the numbers.-7 -6 -5 -4 -3 -2 -1 0 1 2 3 4From -6 to 4 are ten steps. So the answer is 10.3. Another way to understand it. Write the problem as [4 - (-6) = x].The double negatives could cancel out (just work with me on this one), and it becomes [4 +6 =10], x=10.4. And if you subtract 4 from -6, you’ll get -10, which in absolute value is 10 units.
What's the difference between cat 5, cat 6 and cat 7 Ethernet cables?
Cat5Cat5 supports speeds up to 100Mb/s (100 MHz)Cat5eCat5e supports speeds up to a Gigabit Ethernet (1,000Mb/s) (100 MHz)Cat6Cat6 supports speeds up to 10 Gigabit Ethernet and can be achieved with distance of 37-55 meters or less depending on the grade of the cable and quality of installation. (1,000Mb/s) (250 MHz)Cat6ACat6A supports speeds up to 10 Gigabit Ethernet with distance up to 100 meters (10,000 Mb/s)(500 MHz)Cat7 & Cat7ACat7 & Cat7A support speeds up to 10 Gigabit Ethernet with distance up to 100 meters (10,000 Mb/s)(1000 Mhz)Examples of when you might use each type of network cable.Cat5 - Cat5 cable is out dated. Do not install this.Cat5e - Cat5e cable is suitable for Gigabit speeds and networks that change frequently. If the network changes frequently or is temporary in nature, Cat5e may be the optimal selection.Cat6 - Cat6 cable is optimal for extra margin and higher performance. Cat6 cable will support gigabit ethernet, but will only support 10 Gigabit Ethernet if the total length and loss is low enough. If a project requires a 10 Gigabit Ethernet connection, Cat6A or higher is recommended.Cat6A - Cat6A cable will support speeds up to 10 Gigabit. If a project requires a single installation solution to support the facility and is inteded to stand the test of time, Cat6A will protect the investment and serve as a reliable backbone for the company going into the future.Cat7 & Cat7A - Cat7 cable will support 10 Gigabit Ethernet with plenty of margin to spare. Cat7 has pair-sharing capability, making it possible to use one cable to power several different devices at the same time utilizing each pair as needed. For the best and most versatile infrastructure Cat7 provides the solution.
Two numbers are the ratio 5:7. Their difference is 10. What are the numbers?
Since ratio is given 5:7,let the first number is 5x and the other is 7x.now, their difference is 10,So, 7x - 5x=102x=10.Divide both side by 2,we getx=5.Both numbers are5x=5x5 =25and 7x=7x5=35Check your answer35-25=10and 25/35=5/7=5:7
What is the postive difference between |-5| and |7|?
By positive what do you mean?Well in my opinion the only positive difference b/w them is of 2i.e 7–5=3 bcuz the two vertical lines represent Modulus function it makes all the quantities i.e the number inside it positive which means effectively -5 becomes 5 and 7 remains 7Hope i have answered your questionIf not comment about the actual meaning of your question!
Two numbers are in the ratio of 5:7 and the difference of their squares is 216. What are the numbers?
Two numbers are in the ratio 5:7Their common multiple be ‘x'The numbers are 5x & 7xThe difference of their squares = 216(7x)^2 - (5x)^2 = 216(7x+5x)(7x-2x) = 216 [(a^2-b^2) = (a+b)(a-b)]12x*2x= 21624x^2 =216x^2 = 216/24 = 9x= + or - 3 (taking square root on both sides)Discarding negative signx= 3The numbers are 5*3 = 15 & 7*3 = 21Ans : 15 & 21
In musical chords, why is it for instance an Am9 chord not an Am2, and if the B in the chord is played 1 octave higher not an AM16?
This is because a triad is extended by stacking thirds atop the basic structure.We think of a major or minor triad as consisting in its simplest form of scale degrees 1, 3, 5.Adding the seventh does not get rid of 1, 3, or 5: a dominant seventh chord is 1, 3, 5, ♭7.Adding the ninth does not get rid of 1, 3, 5, or 7, so a dominant ninth chord is 1, 3, 5, ♭7, 9 — and so on, through the 11 and 13.Although we may remove certain pitches from an extended triad in the process of voicing the chord for our particular application, the basic rule is that a higher extension also contains all the subsidiary extensions by default:A Cm9 chord, then, also contains the 7 (B♭).A Cm2 chord does not contain any 7. It only contains the three pitches of the C minor triad plus the second scale degree, which is D:That’s the working difference.Some confusion can understandably arise, again because of the alterations that can happen in the process of voicing chords. Notice, for example, that my Cm11 above does not actually contain the third of the chord at all.As a pianist comping in a rhythm section, I may decide to omit the 7 of a Cm9 chord so that it ends up sounding like Cm2. This is an example of the discrepancy between rigid theory and flexible practice: but in the theory, Cm9 and Cm2 are clearly different animals because of how triads are extended, as described.As for the idea of a “16” chord, extensions above 13 are not generally used because the dictation of chord voicings is not part of the function of chord symbols.So, for instance, a “C minor 16” chord would seem to indicate one particular voicing of Cm9, something like the first one in the example just above, where the D falls a “major sixteenth” above the bass.This practice would also confuse the way that chord extensions are labeled across the board, since the even numbers higher than 6 imply members that are already part of the triad to begin with, just an octave higher. There’s no need for that; the musicians can voice the chords however they think best.